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TREASURE COCTEAU TWINS ZIP SERIES
So it was that they appeared on the second series of The Tube, performing live and also as This Mortal Coil, in a promo video for their cover of Song To The Siren.
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It came as the band, now just a duo of Elizabeth Fraser and Robin Guthrie, were getting to grips with things and were even prepared to put themselves on the telly as part of the promotional activities. It does come from Cocteau Twins and it’s in the shape of the EP which was released just a few weeks after Head Over Heels. It was then that I vowed to save to get myself a bigger, better and more powerful set-up, which I achieved some nine months later, thanks to the generosity of my parents on the occasion of my 21st birthday… and the timing couldn’t have been better as I was soon to take leave of that first shared flat and move to a bigger premises with six of us sharing a multi-occupancy in a very spacious tenement flat, with the bonus of a shared living room in which my new system, along with a telly and a VHS recorder, took pride of place.Īll of which has been a bit diversionary in respect of today’s music. It sounded good, but not as majestic as it did on the equipment sitting in the bedroom through the wall. I bought my own copy of Head Over Heels a few days later and played it on my cheap stereo. It felt like a quantum leap from what had come before, and it certainly did not sound like the sort of music you associated with bands living and working in Scotland. The sounds coming from the speakers were astonishing, almost unwordly at times. He played it as the three of us who shared the flat, together with one other bloke who was rarely away from our place, listened on in awe. He was also a fan of Cocteau Twins and he picked up a copy of Head Over Heels, the new album, on its release in October 1983.
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One of my flatmates had an even better stereo set up than my mate’s brother, and he also had a ridiculously extensive record collection, courtesy of always having had a decent amount of disposable income vis his well-off parents. I moved into shared student accommodation in the summer of 1983. Looking back, I wonder if the fact that I didn’t have, at the time, anything beyond the most basic of stereos meant I didn’t really appreciate it – my mate was listening to the band through his older brother’s equipment and, yes, it did seem to sound better, fuller and more powerful when I was in his house rather than mine. I was prepared to admit that the debut album Garlands had its moments, but it didn’t fully click. But my mate who was at the gig with me that night went all in on the band, and he pushed hard for me to give them a try, and so I did. As mentioned a few weeks ago, I caught them opening for The Fall in Glasgow in April 1982 and thought them OK, thinking in the main that the lead singer had been a bit overwhelmed by the occasion. Inspired, in part, by the recent run of Goth ICAs but to be fair, it was always on the list of pieces of vinyl that should be taken out of the cupboard, dusted down and given the 320kpbs treatment via Audacity for distribution on a Monday morning.ġ983 was the year that I really ‘got’ Cocteau Twins.